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Rembrandt Peale
1778-1860 Rembrandt Peale Galleries Rembrandt Peale (February 22, 1778 ?C October 3, 1860) was a 19th century American artist that received critical acclaim for his portraits of presidents George Washington and Thomas Jefferson. Although modern art critics would consider Peale??s artwork as French neoclassical, its dark and stylized characteristics are similar to 15th and 16th century paintings. Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught each child to paint scenery and portraiture, and Rembrandt was no exception. Charles tutored Rembrandt about the importance of having a strong mind from learning arts and sciences. At the age of eight, Rembrandt discovered drawing, and at thirteen, painted his first known self-portrait. Later on in his life, Rembrandt Peale "often showed this painting to young beginners, to encourage them to go from 'bad' to better..." like his steady progressions to become a successful portraitist. A year after his mother??s death and remarriage of his father, Rembrandt Peale left the school of the arts, thereby applying his time to completing his first ever self-portrait at the age of 13. The canvas illustrates early mastery of a young aspiring artist, seeming very mature. The clothes, however give the notion that Peale over-exaggerated what a 13 year old would look like. This style demonstrates early forms of neoclassicism by the looks of Peale's angel-like hair, the way it waves and curls in such a fashion so as to depict an angel from a general Renaissance artist's works of art. In July of 1787, Charles Willson Peale introduced his son Rembrandt to George Washington, where the young aspirant artist watched his father paint the remarkable figure of the country. In 1795, at the age of 17, Rembrandt painted an aging Washington, though the painter had depicted the politician as far more aged than the original facial characteristics. It did, nevertheless attain praise and Rembrandt had begun his debut. At the age of 20, Rembrandt married 22-year-old Eleanor May Short (1776-1836) at St. Joseph's Catholic Church in Philadelphia. During their marriage, Rembrandt and Eleanor had nine children: Rosalba, Eleanor, Sarah Miriam, Michael Angelo, and Emma Clara among them. In 1822, Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "standard likeness" of Washington. He studied portraits by other artists including John Trumbull, Gilbert Stuart and his own father, as well as his own 1795 picture which had never truly satisfied him. His resulting work Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalize on the success of what quickly became known as his "Porthole" picture. Patriae Pater was purchased by Congress in 1832 and still hangs in the U.S. Capitol. Later on, Peale made over 70 detailed replicas of the same "father of our country", the first President of the United States. Peale continued to paint other noted portraits, such as those of the third president Thomas Jefferson while he was in office (1805), and later on a portrait of Chief Justice John Marshall.

 

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Rembrandt Peale Philosopher in meditation oil painting

Painting ID::  87002

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Rembrandt Peale
Philosopher in meditation
1632(1632) Medium Oil on panel cyf
   
   
     

 

 

Rembrandt Peale A Scholar Seated at a Desk oil painting

Painting ID::  87282

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Rembrandt Peale
A Scholar Seated at a Desk
1634(1634) Medium Oil on canvas Dimensions 141 x 135 cm (55.5 x 53.1 in) cyf
   
   
     

 

 

Rembrandt Peale Moses mit den Gesetzestafeln oil painting

Painting ID::  87307

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Rembrandt Peale
Moses mit den Gesetzestafeln
1659(1659) Medium Oil on canvas Dimensions 168.5 x 136.5 cm (66.3 x 53.7 in) cyf
   
   
     

 

 

Rembrandt Peale Joseph wird von Potiphars Weib beschuldigt oil painting

Painting ID::  87691

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Rembrandt Peale
Joseph wird von Potiphars Weib beschuldigt
1655(1655) Medium Oil on canvas Dimensions Deutsch: 110 x 87 cm cyf
   
   
     

 

 

Rembrandt Peale The Abduction of Proserpina oil painting

Painting ID::  87788

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Rembrandt Peale
The Abduction of Proserpina
between 1631(1631) and 1632(1632) Medium Oil on oak panel cyf
   
   
     

 

 

Rembrandt Peale Evangelist Mathaus und der Engel oil painting

Painting ID::  87958

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Rembrandt Peale
Evangelist Mathaus und der Engel
1661(1661) Medium Oil on canvas Dimensions Deutsch: 96 x 81 cm cyf
   
   
     

 

 

Rembrandt Peale Self-portrait oil painting

Painting ID::  88954

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Rembrandt Peale
Self-portrait
1659(1659) Medium Oil on canvas Dimensions 84 x 66 cm cyf
   
   
     

 

 

Rembrandt Peale Self-portrait with hat oil painting

Painting ID::  89631

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Rembrandt Peale
Self-portrait with hat
oil on oak panel[3] Dimensions 21.8 x 16.3 cm (8.6 x 6.4 in) cyf
   
   
     

 

 

Rembrandt Peale Portrait of the Preacher Eleazar Swalmius oil painting

Painting ID::  90182

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Rembrandt Peale
Portrait of the Preacher Eleazar Swalmius
1637(1637) Medium oil on canvas Dimensions 132 x 109 cm (52 x 42.9 in) cyf
   
   
     

 

 

Rembrandt Peale The Man with the Golden Helmet oil painting

Painting ID::  90497

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Rembrandt Peale
The Man with the Golden Helmet
1650(1650) Medium oil on canvas Dimensions 67.5 x 50.7 cm (26.6 x 20 in) cyf
   
   
     

 

 

Rembrandt Peale Biblische Gestalt oil painting

Painting ID::  90947

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Rembrandt Peale
Biblische Gestalt
1643(1643) Medium oil on panel Dimensions 70,5 x 53,5 cm cyf
   
   
     

 

 

Rembrandt Peale Ganymed in den Fangen des Adlers oil painting

Painting ID::  90952

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Rembrandt Peale
Ganymed in den Fangen des Adlers
1635(1635) Medium oil on canvas Dimensions 171 x 130 cm (67.3 x 51.2 in) cyf
   
   
     

 

 

Rembrandt Peale Anastasius oil painting

Painting ID::  91511

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Rembrandt Peale
Anastasius
1631(1631) Medium oil on panel Dimensions Deutsch: 60,8 x 47,3 cm cyf
   
   
     

 

 

Rembrandt Peale Portrait of Saskia van Uylenburg oil painting

Painting ID::  91811

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Rembrandt Peale
Portrait of Saskia van Uylenburg
after 1634(1634) Medium oil on canvas cyf
   
   
     

 

 

Rembrandt Peale Alter Mann im Lehnstuhl oil painting

Painting ID::  91980

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Rembrandt Peale
Alter Mann im Lehnstuhl
1652(1652) Medium oil on canvas Dimensions Deutsch: 111 X 88 cm cyf
   
   
     

 

 

Rembrandt Peale Andromeda Chained to the Rocks oil painting

Painting ID::  94822

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Rembrandt Peale
Andromeda Chained to the Rocks
1631 Type Oil on canvas Dimensions 34 cm x 24.5 cm cyf
   
   
     

 

 

Rembrandt Peale Anatomy Lesson of Dr Nicolaes Tulp oil painting

Painting ID::  94823

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Rembrandt Peale
Anatomy Lesson of Dr Nicolaes Tulp
1632 Type Oil on canvas Dimensions 216.5 cm x 169.5 cm cyf
   
   
     

 

 

Rembrandt Peale Storm on the Sea of Galilee oil painting

Painting ID::  94826

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Rembrandt Peale
Storm on the Sea of Galilee
1633 Type Oil on canvas Dimensions 160 cm x 128 cm cyf
   
   
     

 

 

Rembrandt Peale Belshazzar s Feast oil painting

Painting ID::  94830

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Rembrandt Peale
Belshazzar s Feast
Belsazar's Feast Date circa 1635 cyf
   
   
     

 

 

Rembrandt Peale Portrait of a Young Man with a Golden Chain oil painting

Painting ID::  94834

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Rembrandt Peale
Portrait of a Young Man with a Golden Chain
1635 Type Oil Dimensions 57 cm x 44 cm cyf
   
   
     

 

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Rembrandt Peale
1778-1860 Rembrandt Peale Galleries Rembrandt Peale (February 22, 1778 ?C October 3, 1860) was a 19th century American artist that received critical acclaim for his portraits of presidents George Washington and Thomas Jefferson. Although modern art critics would consider Peale??s artwork as French neoclassical, its dark and stylized characteristics are similar to 15th and 16th century paintings. Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught each child to paint scenery and portraiture, and Rembrandt was no exception. Charles tutored Rembrandt about the importance of having a strong mind from learning arts and sciences. At the age of eight, Rembrandt discovered drawing, and at thirteen, painted his first known self-portrait. Later on in his life, Rembrandt Peale "often showed this painting to young beginners, to encourage them to go from 'bad' to better..." like his steady progressions to become a successful portraitist. A year after his mother??s death and remarriage of his father, Rembrandt Peale left the school of the arts, thereby applying his time to completing his first ever self-portrait at the age of 13. The canvas illustrates early mastery of a young aspiring artist, seeming very mature. The clothes, however give the notion that Peale over-exaggerated what a 13 year old would look like. This style demonstrates early forms of neoclassicism by the looks of Peale's angel-like hair, the way it waves and curls in such a fashion so as to depict an angel from a general Renaissance artist's works of art. In July of 1787, Charles Willson Peale introduced his son Rembrandt to George Washington, where the young aspirant artist watched his father paint the remarkable figure of the country. In 1795, at the age of 17, Rembrandt painted an aging Washington, though the painter had depicted the politician as far more aged than the original facial characteristics. It did, nevertheless attain praise and Rembrandt had begun his debut. At the age of 20, Rembrandt married 22-year-old Eleanor May Short (1776-1836) at St. Joseph's Catholic Church in Philadelphia. During their marriage, Rembrandt and Eleanor had nine children: Rosalba, Eleanor, Sarah Miriam, Michael Angelo, and Emma Clara among them. In 1822, Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "standard likeness" of Washington. He studied portraits by other artists including John Trumbull, Gilbert Stuart and his own father, as well as his own 1795 picture which had never truly satisfied him. His resulting work Patriae Pater, completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalize on the success of what quickly became known as his "Porthole" picture. Patriae Pater was purchased by Congress in 1832 and still hangs in the U.S. Capitol. Later on, Peale made over 70 detailed replicas of the same "father of our country", the first President of the United States. Peale continued to paint other noted portraits, such as those of the third president Thomas Jefferson while he was in office (1805), and later on a portrait of Chief Justice John Marshall.